Octopussy and The Living Daylights

Octopussy and The Living Daylights

First edition cover, published by Jonathan Cape
Author	Ian Fleming
Cover artist	Richard Chopping (Jonathan Cape ed.)
Language	English
Series	James Bond
Genre	Spy fiction
Publisher	Jonathan Cape
Publication date	23 June 1966
Publication place	United Kingdom
Media type	Print (hardback and paperback)
Pages	94 (first edition)
Preceded by	The Man with the Golden Gun

Octopussy and The Living Daylights (sometimes published as Octopussy) is the fourteenth and final James Bond book written by Ian Fleming. The book is a collection of short stories published posthumously in the United Kingdom by Jonathan Cape on 23 June 1966.

The book originally contained two stories, "Octopussy" and "The Living Daylights", with subsequent editions also including "The Property of a Lady" and then "007 in New York". The stories were first published in different publications, with "Octopussy" first serialised in the Daily Express in October 1965. "The Living Daylights" had first appeared in The Sunday Times colour supplement on 4 February 1962; "The Property of a Lady" was commissioned by Sotheby's for the 1963 edition of their journal, The Ivory Hammer; while "007 in New York" first appeared in the New York Herald Tribune in October 1963.

Many of the elements of the stories are from Fleming's own interests and experiences, including wartime commando deeds, climbing in Kitzbühel, Austria, and the sea-life of Jamaica. He used the names of friends and acquaintances for characters within the stories and used a recipe for scrambled eggs given to him by a friend.

The two original stories, "Octopussy" and "The Living Daylights", were both adapted for publication in comic strip format in the Daily Express in 1966–1967. Elements from the stories have also been used in the Eon Productions Bond films. The first, Octopussy, starring Roger Moore as James Bond, was released in 1983 as the thirteenth film in the series and provided the back story for the film Octopussy's family, while "The Property of a Lady" was more closely adapted for an auction sequence in the film. The Living Daylights, released in 1987, is the fifteenth Bond film produced by Eon and stars Timothy Dalton in his first appearance as Bond. "007 in New York", meanwhile, provided character and plot elements for the first two films starring Daniel Craig as Bond, Casino Royale and Quantum of Solace.

Plots

"Octopussy"

The Secret Service operative James Bond travels to Jamaica to interview Major Dexter Smythe, a former Royal Marine officer implicated in the murder of Franz Oberhauser, an Austrian mountain guide, and the theft of a cache of Nazi gold estimated to be £40-50,000. Bond appears only briefly in this story, which is told mostly in flashback from the perspective of Smythe. Smythe remained in Kitzbühel, Austria, after the war, found the gold with the help of a Oberhauser and killed him. Bond was put on the case after the guide's body fell out of a glacier, over fifteen years after the murder; Oberhauser had been Bond's skiing instructor and, as Bond describes it, "something of a father to me at a time when I happened to need one".

Bond chooses not to take Smythe into custody immediately, but leaves him to contemplate his options: suicide or a court martial. While hunting for a scorpion fish to feed Octopussy, Smythe is stung by the fish. When he goes to feed Octopussy, he is dragged underwater by it as the poison sets in. Bond views the death as a suicide, but classifies it as an accidental drowning in order to spare Smythe's reputation.

"The Living Daylights"

Bond is assigned sniper duty to help a British agent—code number 272—escape from East Berlin. Bond's duty is to safeguard his crossing into West Berlin by eliminating a top KGB assassin codenamed "Trigger", who has been dispatched to kill 272. Bond takes up a position on the western edge of the border, in a hotel overlooking the no-man's land that 272 will have to cross. On each of three nights, he sees a female orchestra arrive for rehearsal and leave, taking particular notice of a beautiful blonde cellist. Once 272 starts to cross the border, Bond sees Trigger get in position to kill him and he realises that it is the cellist. He adjusts his aim at the last moment and shoots her weapon instead of killing her, allowing 272 to reach safety.

"The Property of a Lady"

The Secret Service learns that Maria Freudenstein, an employee known to be a double agent working for the Soviet Union, has just received a valuable item of jewellery crafted by Peter Carl Fabergé and is planning to auction it at Sotheby's. Bond suspects that the resident director of the KGB in London will attend the auction and underbid for the item, to drive the price up to the value needed to pay Maria for her services. Bond attends the auction, spots the man, and leaves to make arrangements for his expulsion from London as persona non grata.

"007 in New York"

A brief tale in which Bond muses about New York and his favourite recipe for scrambled eggs, he is on a quick mission to the titular city to warn a female MI6 employee that her new boyfriend is a KGB agent. It includes reference to Solange, a young lady of Bond's intimate acquaintance who works in Abercrombie's; it also includes Fleming's recipe for "scrambled eggs 'James Bond'".

Background and writing history

By the time Fleming died of a heart attack on 12 August 1964, he had published eleven novels and one short story in his James Bond series. Eight months later his twelfth and final novel, The Man with the Golden Gun, was published. The rights to Fleming's works were held by Glidrose Productions (now Ian Fleming Publications) and the company decided that two short stories, "Octopussy" and "The Living Daylights", would be published in 1966.

In July 1962 Fleming was in the midst of marital troubles with his wife, Ann. While in New York he sent her a telegram that he needed "time to rest and reflect on our future which at present looks intolerable", and travelled to his Goldeneye estate in Jamaica. While there, he wrote "Octopussy". The story is told in the manner of "Quantum of Solace", with Bond as catalyst for a narrative told in flashback, rather than as the main character for action. "Octopussy" was serialised in the Daily Express from 4–8 October 1965.

The Sunday Times decided to launch a colour magazine, to start on 4 February 1962 and asked Fleming—one of their columnists—to write an article for it. He wrote a piece titled "The Guns of James Bond", but this was rejected as being too long and specialised for the target audience, so he wrote the story of Bond as a sniper. As background research to the story, he corresponded with Captain E. K. Le Mesurier, the secretary of the British National Rifle Association at Bisley for information, and to correct some of the more specialist areas of knowledge required for sniper shooting. Fleming originally titled it "Trigger Finger", although it was published under the title of "Berlin Escape". It was also published in the June 1962 issue of the American magazine Argosy under the same name. For The Sunday Times, Fleming had commissioned Graham Sutherland to undertake the artwork to accompany the piece, at a cost of 100 guineas, although the artwork was not used in the published edition.

The Sotheby's auction house on New Bond Street, London

"Property of a Lady", which was written in early 1963, was commissioned by Sotheby's for use in their annual journal, The Ivory Hammer, and was published in November 1963. The Sotheby's chairman Peter Wilson is mentioned by name in the story. Fleming was so unhappy with the final piece, he wrote to Wilson and refused payment for something he considered so lacklustre. Fleming's original names for the piece were "The Diamond Egg" and "The Fabulous Pay-Off".

In 1959 Fleming was commissioned by The Sunday Times to write a series of articles based on world cities, material for which later was collected into a book entitled Thrilling Cities. Although he liked New York, his experiences on the trip soured his view of the city, and he wrote: "Go into the first drugstore, ask your way from a passer-by, and the indifference and harshness of the New Yorker cuts the old affection for the city out of your body as sharply as a surgeon's knife." Because of his harshness toward the city, his American editors asked him to modify the chapter; Fleming refused. By way of recompense, in August 1963 he wrote a short story from the point of view of Bond. "007 in New York" was originally titled "Reflections in a Carey Cadillac". The story was first published in the New York Herald Tribune in October 1963 as "Agent 007 in New York", but was subsequently renamed as "007 in New York" for the 1964 US editions of Thrilling Cities.

Although Fleming did not date the events within his novels, John Griswold and Henry Chancellor—both of whom wrote books for Ian Fleming Publications—have identified timelines based on episodes and situations within the novel series as a whole. Chancellor puts the events of "The Living Daylights" in October 1959; "Octopussy" in 1960; "007 in New York" in early 1961 and "The Property of a Lady" in June 1961. Griswold differs and considers "Octopussy" to have taken place in July 1960; "The Living Daylights" at the end of September to the beginning of October 1960; "The Property of a Lady" in June 1961 and "007 in New York" at the end of September 1961.

Development

Inspirations

The Kitzbühel Alps, with Kitzbühel at the centre left of the image

Chancellor and Fleming's biographer Andrew Lycett consider that much of the background of "Octopussy" is directly from Fleming's own interests and experiences, including wartime commando deeds, climbing in Kitzbühel, hidden gold and the sea-life of Jamaica. Fleming had often hiked and skied in Kitzbühel in the late 1920s, while attending a small private school to study for entry into the Foreign Office and knew the area well; the experiences were used as the part of the story where Smyth hunted for the gold. Fleming had an interest in octopuses and observed one—who he named "Pussy"—regularly while diving at his beach at Goldeneye; he wrote an article about the animal for The Sunday Times in 1957 "My Friend the Octopus". One of Fleming's neighbours in Jamaica, and later his lover, was Blanche Blackwell. She had given Fleming a coracle, which he named Octopussy; he then used the name for the story. Smyth's wartime unit, the "Miscellaneous Objectives Bureau", was a fictional version of Fleming's 30 AU unit. Fleming had a long-standing interest in hidden gold and was involved in the commissioning of an article for The Sunday Times about Nazi gold that had supposedly been dumped in Lake Toplitz, Austria.

Part of the background to the plot of "The Living Daylights" included using the noise of the orchestra to cover the crossing over no-man's land. This was inspired by Pat Reid's escape from Colditz prisoner-of-war camp, with two escapers having to run across a courtyard under the cover of the noise from an orchestra. The conductor of the Colditz orchestra was Douglas Bader, who played golf with Fleming on a number of occasions. The assassin, Trigger, was partly based on Amaryllis, Fleming's half-sister. She was a concert cellist with blonde hair, and Fleming managed to get a passing reference to her in the story, saying: "Of course Suggia had managed to look elegant, as did that girl Amaryllis somebody." Fleming used the surname of one of his acquaintances—the wartime head of MI6, Sir Stewart Menzies—for Corporal Menzies, who aids Bond during his rifle practice at the start of the story.

Fleming was a lover of scrambled eggs and included in "007 in New York" a recipe for the dish This originally came which came from May Maxwell, the housekeeper of Fleming's friend Ivar Bryce. Fleming also used her name as Bond's own housekeeper, May.

Characters

According to Fleming's biographer Matthew Parker and Fleming's bibliographer Jon Gilbert, Smyth is a semi-autobiographical portrayal of Fleming, although Chancellor thinks it likely that the character "is so well drawn that he sounds like a neighbour or friend". Both Parker and Gilbert highlight that both Fleming and Smyth were ex-military men, previously fit and active, but now suffering from heart problems (including suffering a heart attack); lived on a Jamaican beach, where they drank and smoked heavily; had been involved in capturing German units at the war's end. The sociologist Anthony Synnott, in his examination of aesthetics in the Bond books, observes that Smyth is one of only two British villains in the canon, along with Vesper Lynd (from the 1953 novel Casino Royale); both characters die at the end of their stories.

Raymond Benson, the author of the continuation Bond novels, wrote that in "The Living Daylights", Bond's thoughts on killing are examined once again. The story shows that although Bond did not like doing it, he considered that he must kill as part of his duty to complete an assignment. Once the mission is completed, with Bond deliberately wounding but not killing the assassin, he demonstrates an attitude of complacency, shrugging off his colleague's complaints about the incident. The historian Jeremy Black sees Bond's colleague, the officious Captain Sender, as the antithesis of Bond and an echo of Colonel Schreiber, the head of security at Supreme Headquarters Allied Powers Europe, who appeared in the 1960 short story "From a View to a Kill".

The lady referred to in the title of "Property of a Lady" was Maria von Freudenstein, a traitor within the Secret Service who was—unknowingly and unwittingly—passing low-level information and some misinformation back to the KGB, which they was high-grade intelligence. She is described as

an unattractive girl with a pale, rather pimply skin, black hair and a vaguely unwashed appearance. Such a girl would be unloved, make few friends, have chips on her shoulder ... Perhaps her only pleasure in life was the triumphant secret she harboured in that flattish bosom.

Synnott sees this as another example of Fleming's use of using physical unattractiveness as a shorthand method of indicating evil or criminality. Black observes that the suggestion that her ugliness has caused her treachery means there is no place for ideology in her actions. Black sees that Fleming's description of Piotr Malinowski, the KGB agent at the auction, also shows the same pattern of equating unattractive physical features with criminality. The KGB man is described thus:

The hair grew low down on the back of the man’s rather squat neck and the lobes of his ears were pinched in close to his head. He had a slight hump, perhaps only a bone deformation, high up on his back.

Style

Within the James Bond series, Benson identifies what he described as the "Fleming Sweep", the use of "hooks" at the end of chapters to heighten tension and pull the reader into the next. In "Octopussy" he sees the hooks in action, keeping the pace of the story moving, despite no passages of action. The story, which he considers a morality tale uses the flashback technique that Fleming liked.

The Fleming Sweep is also present in "The Living Daylights", which Benson considers "compressed and intensely written". He sees that Fleming's rich use of detail bring the scenes of the range at Bisley, Berlin and the attempted shooting of the British agent are vivid because of it.

Release and reception

Octopussy and The Living Daylights was published in Britain on 23 June 1966 by Jonathan Cape and cost 10s.6d. The hardback edition of the book contained only the two stories mentioned in the title. As he had done for many of Fleming's other Bond novels, the artist Richard Chopping provided the cover art, although his fee rose, to 350 guineas. The first edition had a print run of approximately 45,000. It sold slowly and the first edition was still being sold when the UK decimalised its currency in February 1971, meaning Jonathan Cape put stickers over the pre-decimal price. The book was published in US in mid 1966 by New American Library with illustrations from Paul Bacon.

Octopussy and The Living Daylights was published in paperback form in the UK by Pan Books in July 1967; "The Property of a Lady" was also added, although the book's title remained unchanged. The book sold 79,000 copies in the UK that year and 362,000 in 1968; overseas sales for 1967 were more than 76,000. By 2002 "007 in New York" had been added to the book by Viking Press.

Reviews

The poet Philip Larkin wrote in The Spectator that while he found the two stories of the first edition to be "full of shading and nuance", he was "not surprised that Fleming preferred to write novels. James Bond, unlike Sherlock Holmes, does not fit snugly into the short-story length: there is something grandiose and intercontinental about his adventures that require elbow room and such examples of the form as we have tend to be eccentric or muted. These are no exception." While the critic for The Times Literary Supplement thought the stories were predictable, the descriptions of ballistics and sea-life were praised. Writing in The Listener, Anthony Burgess thought that "in their fascinated poring on things ... remind us that the stuff of the anti-novel needn't necessarily spring from a thought-out aesthetic", going on to note that "it is the mastery of the world that gives Fleming his peculiar literary niche".

Some reviewers wrote about the book in light of the films or other similar works; writing in Tatler, Carole d'Albiac, describing the stories as "short, throwaway and inimitable", considered "that these morsels only serve to emphasise how miserably many imitators fail, and how the films", while the critic from The Observer considered that "Both are as readable as one might expect, though some ways from Fleming's best form. Perhaps the spate of inferior imitations may make them seem rather better than they really are." Other critics reviewed the stories in the light of Fleming's death, including George Dowson of Manchester Evening News, who write "Both are little gems in the best Bond tradition and illustrate just how much we lost with the death of Ian Fleming". Burgess finished his review by stating "I admired all the Bond books and I'm sorry there'll be no more. A sad farewell to Fleming".

Adaptations

Main articles: James Bond comic strips and Octopussy

Roger Moore (pictured in 1973), played Bond in the 1983 film Octopussy

"Property of a Lady", was reprinted in Playboy in January 1964, while "Octopussy" was serialised in the March and April 1966 editions of the magazine. The artist Barry Geller used Sean Connery's likeness for the illustrations accompanying "Octopussy". Two of the short stories were adapted for publication in comic-strip format, which were published daily in the Daily Express newspaper and syndicated worldwide. The Living Daylights ran from 12 September to 12 November 1966, adapted by Jim Lawrence and illustrated by Yaroslav Horak; the same pair also worked on Octopussy, which ran from 14 November 1966 to 27 May 1967. The story lines for the strips were altered from the original Fleming version to ensure that they contained a glamorous reason for being Bond involved and to include Bond in action. The strips were reprinted by Titan Books in 1988 and then again in The James Bond Omnibus Vol. 2, published in 2011.

In 1983 Eon Productions loosely adapted elements of two of the stories, "Octopussy" and "The Property of a Lady" for the thirteenth film in their Bond series, starring Roger Moore as Bond. "Octopussy" provided the title of the film and the background for the character Octopussy, the daughter of a character Bond had allowed to commit suicide, rather than face the shame of arrest and imprisonment. The film also used the plot device of auctioning of a Fabergé egg at Sotheby's from "The Property of a Lady"; as with the story the auction item was described as being the same "property of a lady". In 1987 Eon used the plot of "The Living Daylights", almost unchanged, for a section of their 1987 film of the same name. The film starred Timothy Dalton in his first role as Bond, while the character of Trigger became that of cello player Kara Milovy. Eon used the name Solange—from "007 in New York"—for a character in the 2006 film Casino Royale, and in the 2008 film Quantum of Solace, the epilogue uses the premise from "007 in New York"—that of Bond warning a female intelligence agent that her boyfriend is an enemy agent. The character of Oberhauser, from "Octopussy", was used in the 2015 film Spectre as the former legal guardian of Bond in his youth and the father of Ernst Stavro Blofeld, leader of the criminal organisation Spectre.

See also

• Outline of James Bond

Notes and references

Sources

Books

• Barnes, Alan; Hearn, Marcus (2001). Kiss Kiss Bang! Bang!: The Unofficial James Bond Film Companion. London: Batsford Books. ISBN 978-0-7134-8645-2.
• Bennett, Tony; Woollacott, Janet (2009). "The Moments of Bond". In Lindner, Christoph (ed.). The James Bond Phenomenon: A Critical Reader. Manchester: Manchester University Press. ISBN 978-0-7190-6541-5.
• Benson, Raymond (1988). The James Bond Bedside Companion. London: Boxtree Ltd. ISBN 978-1-8528-3233-9.
• Besly, Edward (1997). Loose Change: A Guide to Common Coins and Medals. Cardiff: National Museum Wales. ISBN 978-0-7200-0444-1.
• Black, Jeremy (2005). The Politics of James Bond: From Fleming's Novel to the Big Screen. Lincoln, Nebraska: University of Nebraska Press. ISBN 978-0-8032-6240-9.
• Chancellor, Henry (2005). James Bond: The Man and His World. London: John Murray. ISBN 978-0-7195-6815-2.
• DelFattore, Joan (1989). "Ian Fleming". In Benstock, Bernard; Staley, Thomas (eds.). British Mystery and Thriller Writers Since 1940. Detroit: Gale Research. ISBN 978-0-7876-3072-0.
• Fleming, Fergus (2015). The Man with the Golden Typewriter: Ian Fleming's James Bond Letters. New York: Bloomsbury. ISBN 978-1-6328-6489-5.
• Fleming, Ian (1964). Thrilling Cities. London: The Reprint Society. OCLC 3260418.
• Fleming, Ian (2002). Octopussy and The Living Daylights. London: Penguin Books. ISBN 978-0-1411-8874-4.
• Fleming, Ian; Gammidge, Henry; McLusky, John (1988). Octopussy. London: Titan Books. ISBN 1-8528-6040-5.
• Gant, Richard (1966). Ian Fleming: The Man with the Golden Pen. London: Mayflower-Dell Books. OCLC 3191402.
• Gilbert, Jon (2012). Ian Fleming: The Bibliography. London: Queen Anne Press. ISBN 978-0-9558-1897-4.
• Griswold, John (2006). Ian Fleming's James Bond: Annotations and Chronologies for Ian Fleming's Bond Stories. Bloomington, Indiana: AuthorHouse. ISBN 978-1-4259-3100-1.
• Hines, Claire (2018). The Playboy and James Bond: 007, Ian Fleming and Playboy Magazine. Manchester: Manchester University Press. ISBN 978-0-7190-8226-9.
• Lycett, Andrew (1996). Ian Fleming. London: Phoenix. ISBN 978-1-8579-9783-5.
• Macintyre, Ben (2008). For Your Eyes Only. London: Bloomsbury Publishing. ISBN 978-0-7475-9527-4.
• McLusky, John; Gammidge, Henry; Lawrence, Jim; Fleming, Ian; Horak, Yaroslav (2011). The James Bond Omnibus Vol. 2. London: Titan Books. ISBN 978-1-8485-6432-9.
• Parker, Matthew (2014). Goldeneye. London: Hutchinson. ISBN 978-0-0919-5410-9.
• Smith, Jim; Lavington, Stephen (2002). Bond Films. London: Virgin Books. ISBN 978-0-7535-0709-4.
• Turner, Jon Lys (2016). The Visitors' Book: In Francis Bacon's Shadow: The Lives of Richard Chopping and Denis Wirth-Miller (Kindle ed.). London: Constable. ISBN 978-1-4721-2168-4.

Journals and magazines

• Burgess, Anthony (14 July 1966). "New Fiction". The Listener.
• d'Albiac, Carole (2 July 1966). "New Books". The Tatler. p. 45.
• Larkin, Philip (8 July 1966). "Bond's Last Case". The Spectator. pp. 50, 52.
• "Sales Report from Pan". The Bookseller. 9 December 1967. p. 2668.
• Synnott, Anthony (Spring 1990). "The Beauty Mystique: Ethics and Aesthetics in the Bond Genre". International Journal of Politics, Culture, and Society. 3 (3): 407–26. doi:10.1007/BF01384969. JSTOR 20006960. S2CID 143938867.

News

• Dowson, George (1 October 1966). "This Little Bond will make you Sit Up". Manchester Evening News. p. 2.
• "Fiction in Brief". The Observer. 3 July 1966. p. 22.
• "Obituary: Mr Ian Fleming". The Times. 13 August 1964. p. 12.

Websites

• Clark, Gregory (2023). "The Annual RPI and Average Earnings for Britain, 1209 to Present (New Series)". MeasuringWorth. Archived from the original on 1 April 2023. Retrieved 22 February 2023.
• Fischer, Russ (27 March 2015). "Spectre Trailer". Slashfilm. Archived from the original on 22 December 2020. Retrieved 17 April 2020.
• "Ian Fleming's James Bond Titles". Ian Fleming Publications. Archived from the original on 10 August 2015. Retrieved 7 August 2023.
• "Octopussy & The Living Daylights". British Library. Retrieved 27 November 2024.
• "Quantum of Solace (2008)". Mutant Reviewers. 2 June 2010. Retrieved 27 November 2024.
• Williams, Owen (6 December 2019). "James Bond: From Page To Screen". Empire. Retrieved 27 November 2024.

External links

• Octopussy at Faded Page (Canada)
• The Living Daylights at Faded Page (Canada)
• 007 in New York at Faded Page (Canada)
• Ian Fleming Bibliography of James Bond 1st Editions